sleep-living

My entire day seems to be over-determined by how much sleep I get and when I get it.
Woe to my suprachiasmatic nucleus. I remember first reading about this little mechanism we are all born with that does or does not happen to conform with the 9 to 5, 24 hour, 7 day a week, bla, bla, bla tick tock rhythms of modern society. For example, if you're a lucky little "morning person" you'll probably feel so much happier swinging with the rhythms, getting your coffee and toast when you want it. If you only need what 5 hours of sleep, even better.
I, as you can probably guess from my bitter mockery, am not one of you lucky birdsong at dawn break people. I  love to sleep, need to sleep, sleep to sleep. I'm terrible at getting up. I need multiple incentives or a really amazing one to force my body out of bed at a certain time. If I ever marry, this will be good for my getting up problems because I find that the best alarm clock is definitely another human being. In the meantime, I continue to be monkish, to fall asleep with books in bed with me, sometimes my clothes on, ick. Yes, I'm literally sleeping with my books. And do I want to get up the next...cycle? Not usually. My disrupted rhythm is so bad that lately, because I am "trying" to do nothing but mainly work, I wake up with a headache and hungry belly and an unhappy mood. This little soldier is not a good drill sergeant to herself, especially in the realm of movement. Get up. Get up, woman!

It goes deeper, little nucleus beware. Bed is the place of denial, a hide out, a sleep hide-out from responsibility and life and people and places, and well, no matter what signals you might be sending me, my denial is stronger. I can sleep-hide from my own body...it seems that it is not so hard to corrupt whatever healthy path you are supposed to lead. Intention is stronger than pain.

reaching for perfect

There are so many things I want to do with this life. Just like Sylvia Plath in her terror, unable to deal with the tree of endless possibilities, unable to choose, and the inability to choose causing the possibilities to die but the very act of choosing cutting off all other branches and the tree well it's an endless mind fuck the end.

I'm going to bed, I've over done it and can't examine myself under this bell jar any more this fine night.

My mother still thinks of my freelance journalistic writing with longing. Should I be doing that?

Am I losing myself here, or will I find whoever is supposed to come out between the scholarly citations...I mean can I still be expressive and not over-burdened with academicese to the point of stomping out what makes a soul beautiful. Or will it just be more so?

spillville

The best page is the one that wants to take your words and love them. Cradle them in its expansive white arms and say, yes dear words, you're the little screaming infant voices I've been waiting for. You want the page to love and affirm you. Give you that positive reinforcement every baby or writer-baby seeks from the page, the mother, the other. 


I am writing. Pishu, j'ecris, escribo...and while I don't have much time to deliver these fetal first steps into thesis-writing, I can hear the little voices inching out, they are happening. They have wanted to happen and breathe life and make what I went through worthwhile, ever since I went through it. I mean who donates all this time, researching and working alone, and feeling lonely and inspired and anxious and isolated and terrified and thrilled to not finally hope to bear fruit. 


The pregnant nun goes on giving birth through her fingertips.


What if you are just a figment of me on the page? Mary asked Jesus.

Pinocchio in the Whale

I read some of my poems live last night. First time since this summer, when I read at a lovely Anglophone open mic in Belleville, Paris. Last night was an academic audience in Hyde Park, Chicago, much less random than a bunch of English speakers in a Parisian bar. There was much less anonymity there, my voice was highly contextualized there, because more and more of my experiences are filtered through the highly specific experience of a social sciences grad student jumping through the hoops of hell. Ok, ok, in part it is just obvious that I've been scarred by fieldwork and isolation both in school and out there. Oft repeated themes include: loneliness, isolation, frustration with men, frustration with women too, the shrinking circle of people who relate to the experience, masochistic protestant ethic work schedule, loss of a sense of time, space, body, and materiality, a complete restructuring of values, yes these symptoms are typical and real. Some symptoms are liberating, enlightening, you just want to gloat about them and have a chain-smoking, coffee and liquor drinking festival under the moon. Most symptoms make you fear for your sanity and wellbeing. The smart thing to do is to plan things to look forward to so that the work doesn't swallow you up, so that Marx and complete and total alienation through your work does not become you. Although the truth is, for a while I'm going to have to be Pinocchio in the whale, waiting to get through this storm, learn from it, and become a real girl again.

languages of removal

Português brasileiro, Brazilian Portuguese is my latest language of distance. I am learning it and as it carries no emotional valence for me as of yet, my oral exams are like therapy sessions. Why? Because I get to rant about my life in a language whose signs trigger no emotional memory for me. I am just a neutral passenger, a lawyer cross-examining my consciousness through a vocabulary void of all personal significance.

I get to watch the strange sounds falling out of my mouth, as I "feel" whatever the initial language was telling me to feel. The two languages are temporally and emotionally disassociated. The two languages strip apart my feelings, partitions into the self, and I get to watch.

My brain absorbs new vocabularies quickly, but especially when I'm trying to express myself. Then suddenly whatever new language I'm learning starts to spill out of me imperfectly but forcefully like water. I can feel the meanings lining up like little train tracks, the cogs clicking a new outline of expression into place. A code on a code, a new alignment.

When pain feels language-less, when whatever distress you may feel is suddenly stripped of its vehicle in the strange liminal space of translation, the negative sensations themselves are somehow alienated from their associations. They sit in limbo, in an airport, at a train station, waiting, uncertain. It's a good way to leave your psychophysiological distress symptoms naked without any linguistic clothing to designate their identity.

Multilinguistic experiences demand a kind of clinical self-examination in which one can pick apart layers and interrogate them. Especially when one's thoughts spill out in someone else's sounds to talk about your life. Suddenly you can sit there and you're not even quite thinking about yourself in the first person any more. Just like here I am switching persons grammatically as I write this entry. I am switching between my selves.

**(These thoughts are based on both my own self experiences and my research; I often think that the most insightful thoughts should come from both.)

home? is where the mummy organs are

I moved again...when...was it two weeks ago? The movers finished scooping out my belongings, like so many moveable intestines ready for their next mummification treatment, just in time for my statistics lab.
Grad school, (and we know this from phdcomics but it's much worse than that) is ridiculous.
You pretend to have the carefree existence of a student (or is it the religious devotion to learning of a monk?) while adulthood and responsibility and reality and taxes and ovaries and bills and maybe people named Bill and, and, hunger and thirst and family and Maslowe are all there with you, staring you down as you pretend.
You stay away from tv and stores and people and material obligations and maybe your hair starts to dreadlock and maybe you forgot to make payments and returns and stuff like that and when you try to return crap to stores two months later they don't give a shit that you don't live on the same space-time continuum as the rest of the society...does the ivory tower sound like fun? Hahaha.

So there it is, my STUFF. The internal organs that get moved from one dwelling body to another where I sleep and reorganize the STUFF and re-place it, some of it gets frazzled, abused, lost, a frayed edge, another tragically lost earring.

When mummies move from one world to another nothing is lost. Everything is put into perfect gold jars and it stays so immaculately preserved for archaeologists to fawn over. The artifacts of my existence are less perfectly cared for, I have no civilization of slaves to pamper my every whim or to pack my suitcases. Instead I do this late at night with a glass of wine or a bottle of beer so that I can pretend that packing and moving, this endless transitional process I seem to be in, is a constant party. The life of an amoeba. A jellyfish. A protean squishy creature that remolds herself until it hurts. And it hurts.A boyfriend packed my boxes once. Even some of my suitcases. Boyfriends are good for these things. If you'd care to apply for the position, I accept applications on a rolling basis.

thought-a-thon

So about all of those ideas I keep hidden in my closet, skeletons of genius...when they grow up, grow flesh and emerge will you, will you, oh will you take their hands and accept them? Oh, oh, oh. This is the coming out terror of academia. Ideas are these embodied beasts that come to represent all that you are and wish to be and if the world of your field's experts doesn't love them, woe, woe, woe.

Meet Tommy and Franky and Isabel. I swear I gave birth to these flashy light bulbs, these bedazzling fire crackers, as I labored over mountains of dusty, overly-fingered books, the sweat, the dust, the blood of my brain running in light frothy drips of in
sight. Drip, drip,
get the gore? Get it? If it hurts you better get it. Birthing pains produce a fetus, no? Isn't pain supposed to emerge as productivity in this painstaking life? What if it simply produces more misery? And what if, after all the self-induced eye-straining, scalp-bursting concentration it comes to yawns, apathy. Horror. Horror beyond Frankenstein and zombie monstrosities. The horror of chasm: the yawn, it will swallow you up like oxygen, a simple passage of air into the lungs. The continuation of a diagram. In and out, you are going in, being recycled, one more molecule in a matrix of everything and nothing.